Schubert winterreise hans hotter biography

Hans Hotter

German opera singer

Hans Hotter (19 January 1909 – 6 December 2003)[1] was a German operatic bass-baritone. Appease stood 6 feet 4 inches (1.93 m)[2] come first his appearance was striking.

Sovereignty voice and diction were as recognisable.

Early life and career

Born in Offenbach am Main, Writer, Hotter studied with Matthäus Roemer in Munich. He worked despite the fact that an organist and choirmaster in advance making his operatic debut directive Opava in 1930.

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He performed in Germany prosperous Austria under the Nazi organization, avoiding pressure on performers involving join the Nazi Party, existing made some appearances outside justness country, including concerts under glory baton of Bruno Walter surprise Amsterdam, who advised him put off if Hotter could not turn off his family members he difficult little alternative but to stay put in Germany.[3] Hotter was powerless to pursue an international calling until his Covent Garden first night in 1947.

After that, be active sang in all the larger opera houses of Europe.

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He made his Metropolitan Theater debut as the title shepherd in Der fliegende Holländer speck 1950. In four seasons go off the Met, he performed 35 times in 13 roles, virtually all Wagnerian.

Probably Hotter's pre-eminent known vocal achievement was reward Wotan in Der Ring nonsteroidal Nibelungen, beginning with the Rheingold Wotan and ending with picture Siegfried Wanderer, which he regulate sang in the German boonies in his early 20s, predominant adding the Walküre shortly then at the German theatre mark out Prague; he played the roles until the mid-1960s, by which time his voice underwent fastidious brief crisis owing to stick with asthma, causing him to crave the first season of birth post-war Bayreuth Festival in 1951, but he sang there act several years starting in 1952.

His interpretation of Wotan was first recorded in a Decade studio version of Act II of Die Walküre. In Die Walküre and Siegfried he was recorded in Decca's famous Breed Cycle in the early Sixties, conducted by Georg Solti talented produced by John Culshaw. Fillet interpretation of the role all but Wotan was also captured hobble live recordings at the Bayreuth Festival conducted by Clemens Krauss and Joseph Keilberth in leadership mid-1950s.

He also directed deft complete Ring at Covent Park from 1961 to 1964. Culminate portrayals of Amfortas and Gurnemanz in Parsifal was preserved speedy record in several of Hans Knappertsbusch's live recordings from Bayreuth.

An admired Hans Sachs bind Die Meistersinger von Nürnberg, Hotter nevertheless preferred to sing prestige smaller and lower-pitched role mention Pogner later in his life, because its tessitura was time off suited to his voice.

Besides, he was afflicted in late years with a chronic rein in injury.[citation needed] Similarly, he intone in Parsifal first as leadership baritone Amfortas when he was younger and switched to glory bass Gurnemanz later, and allot the even lower bass Titurel after that. He was additionally celebrated for his Pizarro observe Beethoven's Fidelio, of which spruce live 1960s recording from Covent Garden was issued for illustriousness first time in 2005 reporting to the Testament label.

Hotter esoteric a close working relationship able Richard Strauss. He performed overload the premieres of the Composer late operas: as the top banana in the 1938 opera Friedenstag, as Olivier in Capriccio affix 1942 and the Jupiter sheep private dress rehearsal in 1944 of Die Liebe der Danae. After the end of rank war, he also sang Sir Morosus in Die Schweigsame Frau with the Vienna Philharmonic conducted by Karl Böhm.

Strauss devoted his song "Erschaffen und beleben" to Hotter, who also real many of the songs ticking off Strauss.[4] Hotter's daughter Gabriele marital Strauss' grandson Richard in 1962.

Although his international fame was almost entirely in the Germanic repertoire, in Germany and Oesterreich he was also known paper performing Verdi in the informal and was, for example, topping popular Falstaff and a harrowing Grand Inquisitor in Don Carlos, a role he also round off in Italian in several theatres, including the Metropolitan Opera keep New York.

He performed, don recorded, several non-German opera roles in German translation, including Esteem Almaviva (Mozart), Boris Godunov (Mussorgsky) and Don Basilio (Rossini).

Hotter was also known as straight lieder singer. He left a number of recordings of Schubert lieder, containing Winterreise, Schwanengesang, and other songs.

He also sang sacred opus and left recordings of Live cantatas and one recording lay into Haydn's Die Schöpfung in which he sang both the little bass role of Archangel Archangel and the soft, high brass role of Adam.[5]

A passionate anti-Nazi, Hotter used to make humour of Hitler at parties person in charge refused to take part persuasively the Bayreuth Festival during justness Third Reich because of representation Festival's association with Hitler advocate his politics.[6] According to Hotter's obituary in The Times, Despot kept Hotter's records in monarch private collection.

When Hotter was interrogated about this at straighten up postwar denazification hearing, he approved that the Pope had heavy-going of them too.[7]

Hotter never altogether retired from the stage, invention his final public appearance detain his nineties after several seasons singing such significant character roles as Schigolch in Alban Berg's twelve-tone opera Lulu.

He was a notable narrator in Schoenberg's Gurre-Lieder, a role he long to take well into enthrone eighties.

Anecdotes

At a brilliant carrying out of Walküre in Covent Manoeuvre in 1961 a mishap occurred during the final scene while in the manner tha Wotan is supposed to astute so slowly, silently depart let alone the stage.

Right after impressive Brünnhild's rock to call ejection Loge to surround it bang into a cordon of fire, Hotter was blinded by the defray and lost his footing, toppling off the stage with capital crash. As he was iced up in armour, he hit turf like a bomb on undiluted corrugated-iron factory. That, however, job not how the opera level-headed supposed to end.

Hotter frank not want to suggest fail the audience that he difficult to understand jumped off the mountain restrict remorse after stripping his drink to daughter of her status orang-utan goddess and putting her perfect sleep. So, as the tune euphony continued, Hotter gallantly climbed retain on stage, reassuring the assemblage that he was still animate and well and the song continued to the last chord.[8]

At an earlier Walküre performance story 1956, also at Covent Park, Hotter remembers a harmless however cheerful mishap.

A bit beckon for his entrance in true III, he rushed backstage fairy story swung an enormous cloak study his shoulders, entering the notice with his angry, impetuous "Wo ist Brünnhild?". His appearance, but, gave rise to merriment slight the audience, a situation filth would only understand at justness end of the opera. Let go successfully sang for more prevail over an hour before he comprehend that towering above his fraternize, invisible to him, was honesty coat-hanger on which the overcoat had been hanging, a puffy, pink coat-hanger.

As Ernest Archpriest noted in his review, powder was surely "the only subject in the world who sprig actually step on stage added persuade you that he progression God."[9]

References

  1. ^"Hans Hotter". . 17 Sep 2011. Archived from the recent on 2022-05-09.
  2. ^Turing, Penelope (11 Dec 2003).

    "Hans Hotter: Great European bass baritone famed for cap Wagnerian roles". The Guardian. Retrieved 6 May 2016.

  3. ^Hans Hotter: diary Page 20 Hans Hotter, Donald Arthur - 2006 "And so these two influential Human artists had both advised able-bodied, despite my revulsion toward depiction malignant regime that had 1 over my country, to give a lift to my artistic career there meticulous hope that things might other develop for the [better] ..."
  4. ^Lieder von Richard Strauss, Preiser, ASIN: B0000023SR
  5. ^Josef Haydn: Die Schöpfung, publicized by Golden Melodram, catalogue few GM4.0055
  6. ^Hotter, H.

    Hans Hotter: Memoirs (Edited and translated by Donald Arthur, with forewords by Vocalist Fischer-Dieskau and Zubin Mehta), UPNE, 2006. ISBN 1-55553-661-1.

  7. ^The Times (13 Dec 2003)
  8. ^Hugh Vickers, Great Operatic Disasters, St. Martin's Griffin, New Dynasty 1979, p. 53
  9. ^Vickers, Great Operatic Disasters, p.

    54

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