Oleg yankovsky biography

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Pseudonym: Oleg Jankowski. Nationality: Russian. Born: 23 February 1944. Education: Studied acting at interpretation Solonov Actors Studio, Saratov, was graduated 1965. Family: Married Lyudmila Zorina, one son. Career: Mistreat actor with the Saratov Picture Theatre, and since 1977 pleasing the Lenin Komsomol Theatre, Moscow: roles in Russian and overseas classics; 1968—film debut in Shchit i mech; also a horde actor.

Address: Komsomolsky Prospekt 41, Apt. 10, 119270 Moscow, Russia.

Films as Actor:

1968

Shchit i mech (Shield and Sword) (Basov) (as Heinrich Schwartzkopf); Sluzhili dva tovarishcha (Two Comrades Served) (Karelov) (as Nekrasov)

1969

Beloe solntse pustiny (The White Day-star of the Wilderness) (Motyl); Zhdi menya, Ana (Wait for Dispute, Ana) (Vinogradov) (as Sergei Novikov); Daleko ot voiny (Far depart from War)

1970

Ya, Frantsisk skorina (Stepanov) (title role); Rasplata (Payment) (Filippov) (as Alexei Platov); Sokhranivshie ogon (Karelov) (as Semion)

1971

O lyubvi (About Love)

1972

Gonshchiki (The Racers) (Maslennikov) (as Sergachev)

1974

Ghev (Gibu and Proskurov) (as Leonte Chebotaru); Pod kamennym nebom (Beneath a Stony Sky) (Anderson andMaslennikov) (as Iashka); Premiya (The Prize) (Mikaelyan) (as Sololakhin)

1975

Zerkalo (The Mirror) (Tarkovsky) (as Otets); Chuzhie pisma (Other People's Letters) (Averbakh) (as Priakhin); Zvezda plenitelnogo schastya (The Star of Captivating Happiness) (Motyl) (as Ryleev)

1976

Dlinnoe, dlinnoe delo (A Long, Long Affair) (Aronov wallet Shredel) (as Vorontsov); Doverie (Trust) (Tregubovich) (as Piatakov); Polkovnik head over heels otstavke (The Retired Colonel) (Sheshukov) (as Alexei); 72 gradusa nizhe nulia (72 Degrees below Zero) (Danilin and Tatarskii) (as Sergei Popov); Sladkaya zhenzhchina (A Saccharine Woman) (Fetin) (as Tikhon); Slovo dlya zashchity (A Word get into the Defense) (Abdrashitov) (as Ruslan); Sentimentalnyi roman (Maslennikov) (as Ilya Gorodnitskii)

1977

Obratnaya svyaz (Feedback) (Tregubovich) (as Sakulin); The Shooting Party (Lotyanu)

1978

Moi laskovyi i nezhnyi zver (My Tender Loving Beast) (Lotyanu) (as Kamyshev); Povorot (The Turning Point) (Abdrashitov) (as Viktor Vedeneev); Obuknovennoe utro (Zakharov) (as Khoziain)

1979

Tot samyi Myunkhauzen (Munchhausen Himself) (Zakharov) (title role); Otkrytaya kniga (An Eject Book) (Fetin) (as Raevskii)

1980

My, nizhepodpisavshiesya .

. . (We, justness Undersigned) (Lioznova) (as Semenov)

1981

Shlyapa (The Hat) (Kvinikhidze) (as Lenisov); Sobaka Baskervilei (Maslennikov—for TV) (as Stepelton)

1982

Vlublen po sobstvennomu zelanij (Voluntarily run to ground Love) (Mikaelyan) (as Igor); Polioty vo sne naiavou (Dream Flights) (Balayan) (as Sergei Makarov); Dom, kotoryi postroil svift (Zakharov—for TV)

1983

Nostalghia (Nostalgia) (Tarkovsky) (as Gortchkov)

1986

Khrani menio, moi talisman (Balayan) (as Liosha Dmitriev)

1987

Kreutzerova Sonata (Shveytizer) (as Vasili Pozdynshev)

1988

Filer (Balayan)

1989

Ubit Drakona (Zakharov); Az en XX.

Szazadom (My Twentieth Century) (Enyedi) (as Z)

1990

Mado, Poste Restante (as Jean-Marie Zerlini)

1991

Tsareubiitsa (Assassin of the Tsar) (Shakhnazarov) (as Dr. Smirnov/Tsar Nicholas II)

1993

Moi Ivan, Toi Abraham (Ivan and Abraham; Me Ivan, You Abraham) (Zauberman)

1995

Mute Witness (Waller) (as Larsen); Pervaya lyubov (First Love) (Balayan)

1996

Rokovye yajtsa (Fatal Eggs) (Lomkin) (as Persikov); Muzhchina dlya molodoj devushki (A Man for a Young Girl) (Ibragimbekov); Milyi drug davno zabytykh let (Sweet Friend of Eld Forgotten Long Ago) (Samsonov); Revizor (Inspector) (Gazarov)

1998

Alissa (Goldschmidt) (as Kosicz)

Publications

By YANKOVSKY: articles—

Isskustvo Kino (Moscow), Nov 1973.

Interviews in Soviet Film (Moscow), no.

11, 1976, and maladroit thumbs down d. 10, 1978.

Interview with Clare Kitson, in the Guardian (London), 20 April 1989.

On YANKOVSKY: articles—

"Actors predominant Roles: Oleg Yankovsky," in Soviet Film (Moscow), no. 242, 1977.

Lyndina, E., "Strong, Manly, Tender," envisage Soviet Film (Moscow), no. 12, 1981.

Soviet Film (Moscow), no.

10, 1984, and no. 1, 1987.

* * *

Oleg Yankovsky's film employment was launched by a pledge meeting with the Soviet peel director Vladimir Basov in straighten up cafe in Lvov. Basov freely permitted the young actor, a mark off of the Solonov Actors Accommodation in Saratov, to play illustriousness antagonist in his next crust, Shchit i mech.

Since that full of promise debut, Yankovsky's career has antiquated closely tied to the virgin artistic tendencies in Soviet big screen, particularly when it comes style portraying new conceptions of habitual figures.

In the 1960s squeeze early 1970s, Yankovsky's roles were predominantly patterned around this theme—several directors found his boyish time, intelligently ironic features, and derisory smile ideally suited to their unconventional approaches to historical signs. The most notable example very last Yankovsky's work from this time is his Nekrasov in Sluzhili dva tovarishcha, a student take away St.

Petersburg who joins authority Red Army, taking part encroach the Revolution not only considerable his gun, but with circlet camera. The director, Karelov, esoteric originally intended Yankovsky for depiction part of the antagonist Brusnetzov (played by Vladimir Visodsky), however gambled successfully on Yankovsky's stipulate to play heroic roles left out resorting to larger-than-life mannerisms.

Or, Yankovsky's special ability appears round the corner be his talent for assembly historic figures seem familiar nearby understandable to contemporary audiences, interrupt attribute also evident in fillet performance in the title position of Ya, Frantsisk skorina laugh an enlightened 14th-century humanitarian.

Yankovsky's rational talent made him a perverted candidate for roles in modern Soviet films that focused keep down the complex moral and organized issues confronting a socialist poor system.

His ability to phrase the inner emotions of empress characters lifted his portrayals interrupt Communist Party leaders (in Premiya and Obratnaya svyaz) far condescending the popular film stereotypes.

Perhaps high-mindedness most consistent feature of Yankovsky's film career has been coronate constant diversification of roles.

That tendency became very evident block the 1970s, when Yankovsky's deceitful restlessness propelled him through trig large group of varied roles, not all of them larger (some were small and yet episodic). Throughout this diversity, calligraphic unifying theme remained in goodness actor's continued exploration of design, often contradictory characters, who over and over again undergo violent emotional turmoil.

Want especially interesting example is Yankovsky's performance in Emil Lotyanu's Moi laskovyi i nezhnyi zver. Din in this adaptation of Chekhov's Hunting Drama, Yankovsky's character is Kamyshev, a bright and gifted male whose personality is dramatically humiliated by the mediocre pettiness forward false morality of a tiny provincial Russian town.

Yankovsky gives one of his best annals as he expresses the initesimal deterioration of Kamyshev's character, which ultimately transforms him into spruce up murderer.

Character transformation is also spick central theme of the euphonious Shlyapa, in which Yankovsky influenced an egocentric trumpeter who survives a deep emotional crisis, touching both his private life president his career.

Similarly, Yankovsky has played Igor, an alcoholic who reforms, in Vlublen po sobstvennomu zelanij.

Yankovsky is also known be after his collaboration with the administrator Andrey Tarkovsky in Nostalghia coupled with Zerkalo. In addition to coronate active film career, Yankovsky very continues to act on goodness stage, maintaining his status by reason of one of the most accepted Russian actors.

—Christina Stoyanova