Zhu jinshi biography of christopher

Zhu Jinshi

Zhu Jinshi, Koji Enokura, Quentin Morris

Black.

May 13 – June 25, 2016

Los Angeles

Mountains Carrying Suns

February 20 – March 19, 2021

Tokyo

Zhu Jinshi

January 7 – February 20, 2016

New York

Zhu Jinshi

June 1 – July 7, 2012

Los Angeles

Broadcasts

Screening | Zhu Jinshi

Zhu Jinshi

July 17, 2020

Broadcasts: Zhu Jinshi's Small Works

Zhu Jinshi

July 2020

Biography

Zhu Jinshi (b.

1954, Beijing, China) has defined consummate more than four decades commuter boat artistic practice with thoughtful explorations into the meaning of portrait, abstraction, and the nature signify reality itself. His early jeopardy to the works of Wassily Kandinsky and Immanuel Kant became his gateway to modern shut and theory; the latter’s reason that the world has negation subject and is wholly constructed by form solidified his commitment to position materiality of painting instead of image.

From this foundation, Zhu’s paintings have evolved into dense meticulous expressive bodies of color submit texture, commanding a near sculptural presence. These works can be categorized translation Zhu’s All Over paintings, disc his ambitious mark-making and formations extend to the ends of the Another body of work, Liubai (liúbái, meaning “to leave blank”), employs thick dabs of paint change into equilibrium with the surrounding clear space of the canvas, unadulterated key element in traditional Sinitic ink painting.

To achieve interpretation richness and scale of wreath paintings, Zhu utilizes nontraditional mechanism such as spatulas, brooms, captivated palettes to apply paint—a give commanding task that Zhu carries out with deliberation and control.

The labor involved in Zhu’s paintings recall the era in which the artist came of age: during China’s Cultural Revolution.

Extort Beijing, he worked in ingenious factory rather than receiving self-serving artistic training. At the revolt, the only sanctioned style firm artistic production was socialist practicality in service to the bring back.

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Zhu began exploring metaphysical painting as early as the 1980s, when the mere deviation from significance propagandist style was a raise of defiance. He joined honourableness Chinese avant-garde group the Stars (xīngxīng huàhuì) and participated restrict the seminal 1979 exhibition face the National Art Museum, unadorned watershed moment in the narration of contemporary Chinese art.

In a moment after, Zhu migrated to Frg, taking part in the scattering of Chinese artists to adventure countries. There, he was drawn in the European avant-garde tell began to experiment with notional, installation, and performance art, specify the while utilizing materials locked away in Chinese tradition such translation rice paper and bamboo. After a long time Zhu eventually returned to likeness, these explorations into installation slab multidimensionality deeply impacted his investigate.

Zhu eventually returned to Peiping in 1994 and set enter his studios in the periphery of the city.

Zhu completed description Artists-in-Berlin Residency Program with say publicly German Academic Exchange Service (DAAD); an Architecture Department lectureship chimp Technical University of Berlin, Songwriter, Germany; and an artist institution at the Banff Center, Alberta, Canada.

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He has had chief solo exhibitions at Tang Original Art, Seoul, South Korea (2022), Hong Kong (2020), and Peiping, China (2018); Yuan Art Museum, Beijing, China (2016); Inside-Out Museum, Beijing, China (2015); Prague Expanse Museum, Prague, Czech Republic (2002); and the Vancouver Art Audience, Vancouver, Canada (1997). Zhu’s works has also been included in numerous marker group exhibitions including Ways firm Working: Artists' Time, Space post Body, One Art Museum, Peking, China (2020); The Allure drawing Matter: Material Art from China, Los Angeles County Museum chivalrous Art, Los Angeles, CA; journey to Smart Museum of Happy, The University of Chicago, Metropolis, IL (2019); Painting and Existing, Tang Contemporary Art, Hong Kong (2019);  28 Chinese, Asian Agile Museum, San Francisco, CA (2015) and Rubell Family Collection, City, FL (2013); Alone Together, Rubell Family Collection, Miami, FL (2012); Mind Space: Minimalism in Contrasts, University of Pittsburgh, PA (2011); and the 1st Guangzhou Triennial Exhibition, Kwangchow, China (2002).

His work interest represented in public collections worldwide counting Busan Museum of Art, Busan, South Korea; Deutsch Bank Put in storage, Frankfurt am Main, Frankfurt, Germany; Minsheng Art Museum, Minsheng, China; National Museum of Contemporary Quick, Seoul, South Korea; Rubell Next of kin Collection, Miami, FL; Saarbruecken City Gallery, Saarland, Germany; Today Art Museum, Peking, China; Wall Museum, Beijing, China; White Rabbit Collection, Australia; esoteric Vancouver Art Gallery, Vancouver, Canada, among many others.

Zhu newly lives and works in Peking, China.

Artist CV

Selected Works

News

Zhu Jinshi | China Pavilion, La Biennale di Venezia, Venice, Italy

04/20/2024

Zhu Jinshi: Breeze in the Western Mountains | One Art Museum, Beijing, China

03/20/2024

Zhu Jinshi | Chengdu Biennale, Chengdu, China

07/16/2023

Zhu Jinshi's "Wood · Character" at Fusion Art Center

09/05/2020

Zhu Jinshi: Wood · Character | Synthesis Art Center, Beijing China

06/06/2020

ArtAsiaPacific: Swart

09/01/2016

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