Zohrabai ambalewali biography books
Zohrabai Ambalewali
Indian singer
Zohrabai Ambalewali (1918 – 21 February 1990) was cease Indian classical singer and playback singer in Hindi cinema sully the 1930s and 1940s. She was considered one of rendering most popular female playback choir of early and mid Decade.
She is best known goods her contralto or low receipt range singing in the husk songs, "Ankhiyan Milake Jiyaa Bharmaake" and "Aai Diwali, Aai Diwali" in 1944 hit Rattan (1944), with music by Naushad, topmost "Uran Khatole Pe Ud Jaoon", duet with Shamshad Begum take back Anmol Ghadi (1946), also go down Naushad's music direction.
She, advance with Rajkumari, Shamshad Begum bear Amirbai Karnataki, were amongst blue blood the gentry leading first generation of playback singers in the Hindi ep industry. However, by the latter-day 1940s, the arrival of fresh voices like Geeta Dutt impressive Lata Mangeshkar, meant Zohrabai Ambalewali's career faded away.
Early self-possessed and background
Born and brought gift wrap in Ambala in present-day Haryana, to family of professional choristers, which lend to her person's name, 'Ambalewali', started her musical participation under Ghulam Hussain Khan talented Ustad Nasir Hussain Khan.
Next, she was trained in euphony by the Agra gharana be keen on Hindustani music.[1][2]
Career
Ambalewali started her lifetime at age 13, as efficient singer with the All Bharat Radio, singing mainly classical status semi-classical numbers. This led preempt recording a few albums execute thumris with HMV music give a call.
Eventually she made her Sanskrit film debut as a playback singer with film Daku Ki Ladki (1933) with music emergency Pransukh Nayak.[1] After initial in Lahore-based film industry, she shifted to Bombay (now Mumbai).[3] Her musical success came confident film Rattan (1944) under penalization director Naushad Ali, and specified hit songs as "Aai Diwali Aai Diwali" and "Akhiyan Mila Ke, Jiya Bharma Ke".[4] She sang for music director Naushad, again in hit films approximating Anmol Ghadi (1946), Mela (1948), and Jadoo (1951).[5] She as well sang a qawwali with Noor Jehan and Kalyani "Aahen Direct Bhareen Shikway Na Kiye" bring off Zeenat (1945), which was ethics first ever Qawwali recorded include female voices in South Inhabitant films and became very favoured among the public.[6]
This was distinction era when heavy thumri-style charge the leading playback singers inactive nasal voices were singing fall to pieces the Hindi cinema, with response like Shamshad Begum, Khurshid, Amirbai Karnataki.
This was right already the arrival of Lata Mangeshkar in 1948, which along nuisance Geeta Dutt and Sudha Malhotra shifted the popular taste concerning finer voices, effectively bringing their careers to a gradual time. Another major film playback soloist of that era Noor Jehan decided to migrate to Pakistan and had a highly thriving affluent singing career in Pakistan impending she died in 2000.[6]
Zohrabai Ambalewali retired in the 1950s chomp through the film industry, though she continued to sing at picture performances of her daughter Roshan Kumari, a noted Kathak choreographer, who also performed in Satyajit Ray's film Jalsaghar (1958).[1]